Untitled (2025)
This work explores the shifting relationship between abstraction and colour through a combination of traditional darkroom techniques, using a hand scanner, and digital art processes. Each method introduces a different balance of control and unpredictability, shaping how colour behaves and interacts within the image.
These works are not driven by a fixed narrative. Instead, they function as open visual spaces where meaning is not prescribed but formed through experience. Fragments of texture, light, and gesture come together to create moments that are both constructed and ambiguous.
I invite viewers to engage intuitively allowing their own perceptions, associations, and emotional responses to guide their experience of the work